Dear !fname,

Here is the next issue of Wild Bird Talking Ezine. We hope you enjoy the issue and look forward to your feedback. If you have any trouble viewing the ezine, please contact us at:

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With warm wishes
Gitie, Editor



Vicky Feeding Wendy
Wild Bird Talking 
June 2008              WingedHearts.org              ISSN: 1835-6362


Developing understanding and friendship with wild birds

 

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In This Issue:



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From Maggie's Perch:~

Welcome to this Edition of  Wild Bird Talking


Every season brings new stories and winter this year is no exception.  We see two families of pied butcherbirds negotiating new boundaries with three families of their close cousins the grey-butcherbirds.  We suspect that our home family of Butch, Cass and their young are discussing terms with one of their older kids (and one of our darlings) Teddy-Toms who left home a few years ago, who has set up home in the neighbouring paddock, and is trying to extend his rights so he can visit us more frequently.  Larry and Harrie's kids in the mean time have also set up home around the valley and want visiting privileges.  Last year, Larry and Harrie being old time friends of Vicky's had rearranged their agreements which prevented Larry and Harrie from visiting our yard.  Happily they've included our requests this year and now Larry and Harrie visit the perimeter more frequently.  

Chuckie in the meantime, seems to have left home still a juvi, while his older siblings Kerry and Dimpy are still around.  

The noisy miners had a late clutch and as soon as the fledglings were old enough, the groups have done their swap around and we have new families visiting us for now.  The lorikeets have been socialising with the magpies, while juveniles from many species have been making their way to join teen groups in the valley.  We were lucky to spot a young babbler on his way.  Can you see the green man in the slideshow?

Discovering the real identity of an old friend, brought a new dimension to our appreciation of the incredible depth of awareness of even the smaller birds, as did the smart lifestyle of a pair from another vulnerable species, the Rufous Fantail.

In this issue, we are delighted to bring Sketching tips from one Australia's finest wildlife artists, Janet Flinn.  We continue our series on communicating with birds, with another excerpt  from Dawn Baumann Brunke's   'Animal Voices',  as well as more on the art of listening to the birds in Part 2 of Communicating with Wild Birds.  

On June 24 (US which is 25 June in Australian and NZ), we will be bringing you details of two interesting new releases.  The first is a book on "Soul Discovery" by Joan Marie Whelan and the second is Alan Bechtold's book titled "Will Work For Fun -- 3 Simple Steps for Turning Any Hobby Or Interest Into Cash".  Both books come with many wonderful gifts for buyers, and I will send you the details of each book in a separate e-mail.

Michael Dalton has been teaching his macaw to speak English and has released a book called "Another Kind of Mind: A Talking Bird Master's English" Look out for the details in the News and Views section below.

This is a good time for readers who live in Australia and New Zealand to start making friends with the Aussie magpies. Next month, the mother birds will start laying eggs and four weeks later the birds  will start aggressively protecting their chicks.  If you  make friends with the magpies along your walking path or cycling route or the birds that live near your favourite park, they will think of you as a friend and are less likely to succumb to their instincts to attack.  You can read more tips in Ron's article on how not to be divebombed by magpies

We hope you enjoy the selection of articles and stories and look forward to hearing your stories.

With Warm Wishes,

From Maggie and me,

Gitie

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Sketching Birds

by Janet Flinn


You don't have to be an artist to keep a Sketch Book. A Sketch Book style Journal helps you keep better records of your birding observations and adds to your enjoyment of Bird Watching. Start by sketching the common birds in places where they are used to people. Don't try for perfection and don't take time to erase. Just jot down the important concepts. Make short notes around your drawing to clarify details and to mention any interesting behavior. Notes should include name of bird, where seen and date seen, colours of plumage, beak and feet. Notes on behaviour and habitat are useful and interesting to look back on.

Materials: An A5 sketchbook, soft graphite pencil e.g. 2B. A small field set of Watercolors is useful for making colour notes.

Method: Study the proportions of the bird. Compare the length of the beak against the length of legs and feet, the size and position of the eye, the length of the tail against the length of the wings etc. Draw what you see & don't make anything up. If you can't see the tail and you add a tail of the wrong length or colour, you will create a different species.

Sketching Method: Using light 'search' lines draw the basic oval shapes of head and body. Sketch lightly and quickly. Plot the angle of body and head, the position and angle of the tail, the position and tilt of the beak and the position of the eye in relationship to beak. Use horizontal and vertical check pencil lines. Don't use a rubber yet.

Use a 2B pencil very lightly at first to refine the shape of the bird. Look for the facets where you think you see curved shapes. Change to a softer pencil or press more heavily to develop the drawing and add tone. A small piece of kneadable rubber or a small piece cut from a white rubber, can be used to remove unwanted lines such as the original basic shapes, horizontal & vertical check lines & 'angle' lines, but don't be too worried about eliminating all the original 'search' lines, as it is a sketch book and these add interest and sometimes a suggestion of movement.

Drawing is the essential basis for Painting Birds and Animals.  At my workshops we try lots of different techniques, working from my photographs, to develop a better understanding of how to draw a bird. We use a variety of different mediums from pencils to pen and watercolour.
 Sketching in the field is the ultimate way to enhance your knowledge.. It is very challenging, but fun. When drawing from life birds are generally on the move, so try very small, quick action drawings without detail (Picture 1) or concentrate on a part of the bird you can see clearly e.g. the head. (Picture 2) As the bird moves, lightly sketch the different positions and then go back to previous drawings as the bird resumes that position.

Habitat notes and sketches are an attractive and helpful addition to field observations. Banksia cones are particularly fun to sketch. Use the same technique. i.e. lightly draw in the basic shape and then refine it with the details


fairywrens-jflinn



1.  If birds are moving do many small quick sketches.

bee-eater-jflinn

2.  Focus on an area e.g. head Return to a pose as the bird does . (Pencil)
banksia-jflinn

Banksia Pod. (Pen & Watercolour)
 



About the Author:

     Janet Flinn is one of Australia's finest Wildlife Artists. Janet's paintings  reflect the character  of the Australian birds that visit her garden and nearby bushland in Melbourne.  Janet's paintings have received numerous awards including 'Artist of the Year' in 2005.  Her work has been published in many  calendars, magazines, books and reproduced as cards and prints.
To view some of Janet's paintings and contact the artist, click here.
 janetflinn


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Reconnecting With Animal Wisdom

How Communicating with Animals Will Change Our World

(An excerpt from Awakening to Animal Voices )

by Dawn Baumann Brunke
 
awakening-book-image

"Animal communication is very
important now and in the upcoming years.
The lives of humans must expand
by communication with all life
or they cannot grow spiritually.
It is not for the animals --
we already communicate.
It is for you."

—Briana (horse) to communicator
Anita Curtis

Before I knew much about animal communication, I once asked a question so ridiculous it made a parrot laugh.

What I wanted to know wasn't all that ridiculous; perhaps it was the way I phrased it. What's it like for animals to communicate telepathically? I asked. Can every animal hear the thoughts of every other animal? Surely that would be awfully noisy. Maybe it's more like how humans use the telephone, I conjectured. Is it like dialing up a certain person's number in order to make contact with that individual?

That's when the bird laughed. That's when I knew I was in way over my head...

A Single Language

In the time before we started worrying about such things as time or inventing such things as telephones, there was a single language. It was a language of being and feeling, a silent language that worked equally well for fish and bird, bear and whale. It was a language of universal connection in which all were free to share.

The growing field of animal communication – or, the ability to telepathically converse with an animal – is simply a remembering of this, our earliest natural language. Professional animal communicators are consulted for a wide variety of reasons – from resolving behavioral problems to finding lost pets to answering questions about animal health, illness, death, even the afterlife. Many communicators offer classes to help humans learn to quiet the mind and "tune in" to the animal channel. Leaders in the field maintain that by rediscovering our innate abilities to commune in this way with other species, we can learn a great deal of information – not only about animals, but also about ourselves.

Indeed, how might our lives change if we shared conversation with our cats or dogs on a daily basis? What news of the world might we learn from the traveling songbirds who visit our feeders? Would we be more caring of the earth if we took time to share thoughts with insects and worms, the earth's greatest ecologists? How is it that at some point in time we removed ourselves from this spontaneous, informative and joyous connection with all life?

Penelope Smith, one of the leading teachers in the animal communication field, notes that the underlying focus of all her teachings is to restore this communion, "this ability to be at one with and communicate with all life, whether it's animals, plants, rocks, the earth, the air, all the elements, and realizing that everything is alive and we are all in kinship."

While talking to animals may at first seem strange or glamorous or mystical (depending upon your perspective), opening to animals is ultimately an opening to our own inner mystery. In a mind-to-mind, heart-to-heart connection with an animal, we expand our very being. As Smith puts it, "Another part of the universe is experienced; another part of ourselves is recovered. We are closer to the true divine nature, present in us all." We begin to remember who we really are.

So, How Does It Work?

Carol Gurney, author of a how-to book on animal telepathy, feels that people talk with their animals all the time. "What happens is people have forgotten to see that it really is the animal sending them the message," Gurney told me. "The thought of an animal blends with our consciousness. Then we judge it as ours. We don't know how to tell the difference sometimes. We're not giving ourselves credit that we're getting it, nor are we giving the animals credit that they do communicate."

Communicators point out that telepathic communication is much like verbal communication. "It merely includes other senses, like hearing, feeling, sensing, seeing pictures, and so on," notes communicator Morgine Jurdan. "It is not a gift. It is something anyone with a desire can learn how to do."

How is it, then, that some humans are able to tune into animals and make sense of what they want to communicate? Gurney believes we're like magnets, drawing to us the mode of communication that is most comfortable for us to receive. 'It can come in images, like a slide show," she explained. "It can come as feeling. You might get a new thought, for that's also how animals communicate. Some people hear words. Some people just "know." Some people hear a sound; others get odors, things that the animals smell. That is basically how we receive: no limitations. Where we are within ourselves is what we will draw in."

Receiving information from animals may also be dependent upon the particular species with which one is communicating. Animals that are primarily visual, for example, may be more likely to send pictures or images since that is their dominant sense.

Naturalist and communicator Mary Getten notes differences in speaking to domestic animals as opposed to wild animals. While our cats and dogs are familiar with our routines and basically understand our world, wild animals do not. "Communicating with wild animals is a little different because they have a natural instinct to avoid people," said Getten. "They're not used to having the experience of communicating with a person.'

So, too, many animals have different sensing abilities than humans. For example, when Getten communicates with Orcas near her home in Washington state, she notes "a real down-shift into a totally different energy level. One of the problems in working with whales is that their world is so completely different that we don't even have the words to explain it. I've had the experience of a whale showing me what it feels like to echolocate. It's almost indescribable."

This is part of the challenge – as well as the fascination – of what various aspects of animal communication bring forth. For how can we conceive of something, such as echolocation, that we don't have a human sensing mechanism for? The obvious would be to adapt the senses we do have.

It is precisely this translation of feelings, images, thoughts and words that lies at the core of successful animal communication. If we don't understand that commun-ication between species is based on translating one mode of understanding into another, we may ask ourselves all sorts of silly questions, such as how is it that whales know English? Getten agrees, "The only way we can speak for the animals is to interpret their images and information in the language that we have."

Animal communication is thus a bit of a balancing act. In addition to finding the best possible words for translating animal to human thoughts, we must constantly be open to what an animal is saying – not to what we think the animal is saying or what we want the animal to say. In this sense, learning animal communication is about learning to get out of our own way. It is also about moving past our limited perceptions of what we believe the world is like.

Healing The World,  One Village At A Time

Penelope Smith was once asked to help with a situation in Costa Rica, where jaguars ventured too close to a village. Smith saw the situation from the jaguar's point of view: loss of habitat was crowding their environment, causing them to infringe upon human life in the village. There was also the villager's side of the problem: the jaguars were prowling dangerously close to the village, occasionally eating the village animals and engendering fear.

Rather than communicate with an individual jaguar, Smith chose to communicate in a shamanistic manner, connecting not only with the jaguars and the people of the village, but with the spirits of the land. "This wasn't me doing anything," she said. "It was spirit working by request. I acted as a shaman, as somebody who is aware and asking spirit to move. I saw that all could be handled harmoniously with the jaguars and the people. I appealed to the consciousness of the people and the consciousness of the forest, and it appeared that a solution was being created. I am a part of the web, so I just tuned in to my ability and spirit seemed to move.

"There then appeared to be a raising of the consciousness and a blending of all so that solutions would come to people without me having to communicate anything. The solutions would come to them as to how they could operate harmoniously. I saw a lot of people changing and it was quite powerful. It will be interesting to see how this situation plays out in the physical because sometimes there's a time delay. There are all kinds of human gyrations that people go through because sometimes they don't totally accept what is given to them. But, I saw that when beings of consciousness are called, great changes can happen without having to hit people over the head.'

Where Do We Go From Here?

Those who have opened to a two-way exchange of feelings, thoughts and ideas with the natural world maintain there are incredible riches to be found in sharing with and learning from other species, especially as we move beyond our own self-limiting expectations.

What discoveries would we find by going to the source, asking the animals them-selves what they think? On a practical level, there is the prospect of highly useful information, animals sharing insights on why or how they do the things they do. In her capacity as a naturalist and biologist, communicator Marta Williams suggests that asking animals about their living habits might be a first step towards seeing a larger aspect of the world. In the beginning, answers could be compared with biological data already collected, though animal communication could "be used in place of much of the invasive and damaging field study practices that are employed today by modern biologists."

As teacher and communicator Carole Devereux notes, animals may represent a last chance for humans. "Sometimes people can't talk to another human being, but they will talk to a horse. Why? Because a horse is nonjudgmental. Unconditional love flows very naturally between animals and people who are somewhat jaded about the human race. Humans have judged each other for so long that we don't trust each other any-more. When people are with an animal, their barriers come down. That's why I'm working with animals in therapy, because it's a door, an entryway. Animals are the gateway to a higher awareness of spirituality."   

animalvoices-book-imageThere are times when animal communication is straightforward and practical: a cat explaining why she doesn't like her litter box, a horse expressing preference for one stall over another. But there is also a wild side. It can be deep and spiritual – a dog explaining karma, a parrot relating how once she was a Buddhist monk. It can be thrilling and outrageous – a dolphin sharing what it is to live in multiple existences simultaneously. The exchange of thoughts and ideas with any animal is as open as we are willing to be, subject only to the limits of what we believe is possible.

"This is about the consciousness raising of all beings," Penelope Smith agreed. "More and more, the species are being raised up. And all it means is that people are looking at themselves in the mirror. They're recognizing themselves in the web of life. So, when you look at a manatee and see yourself, and when you look at a wolf and see yourself, and when you look at a cockroach and see yourself, that's when we'll be making it. And we are making it!"

In reconnecting with animal wisdom, we see the world in a way we have too long forgotten. We are reminded of the inherent spiritual connection between all living beings. We are awakened, for in moving to that deeper place of trust, relationship and communion with animals, nature, and all the world, we also find ourselves.

Look out for Dawn's new book to be released in August this year!


About the Author:

Dawn Baumann Brunke is the author of  Animal Voices and Awakening to Animal Voices and also  Who Lives Here?, a series of animal and nature books for children.  Dawn has also published short stories in LadyBug (for children), Leviathan (anthology), and Rosebud (literary quarterly), and has won both Grand Prize and Editor’s Choice in the Alaska Daily News/University of Anchorage creative writing contest.  Dawn has published over three dozen interviews, including talks with natural medicine writer Dr. Andrew Weil; former NASA consultant Richard Hoagland; noted speakers Gregg Braden, Patricia Sun and Caroline Myss; and many animal communicators. 


 
Dawn Baumann Brunke



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Communicating With Wild Birds - Part 2

What On Earth Is That Bird Going On About?...

by Gitie House


Communicating successfully with someone from a different species, who is not only not dependent on you, but also flies off in a flash if they don't like the sound of your voice, brings its own suite of challenges. In this series, we look at each of the five major aspects of communicating with wild birds.  These involve making them familiar with our speech patterns, listening to learn, understanding our bird's response, building trust, and allowing the friendship to develop.  In the previous issue we covered the importance of making the wild birds feel comfortable in your presence, showing them that you care about their welfare and wish to make friends.  
 
In this article we look at the art of listening to the birds.  Listening is much more than just enjoying their songs.  True listening requires us to understand the information they are trying to convey in their language to their family, community, intruders and also their friends which now hopefully includes you.  

Listen With Your Eyes 

Listening is by far the greater step to knowing.  What are the birds saying?  Every species has its own language and can chatter for ages. The other bird species seem to know what's going on and know which calls to ignore and which ones to takes seriously.   How can we join the conversation?  

Birds use 'show and tell' as part of their language, and action is one of their primary modes for exchanging information.  Birds often use soft sounds like 'bb..bb..bs', 'ch..ch..ch..', mmmm', which can be almost inaudible to us, and just the way we use gestures, much of their communication is also non-verbal.  To know them better, we need to increase our awareness of their priorities, their motivations, their rules and also their individual personalities, roles and responsibilities.  

In order to understand what the bird is trying to tell you, one has to learn to connect their actions with their sounds. We have to listen with our eyes - which just means watching what the bird is doing and looking around to see what is happening, when they are talking.

Learn to recognise their sounds. Which sound is a call to the others that they have found food, or to inform others that the water is fresh?  Which sound is a warning for a hawk? The alarm for an eagle that might attack them is different to that of snake or a goanna, and how do they protest to a bigger bird who is pushing them out of the way? Each species will have their own sounds.  The rules for certain signals such as alarm calls for eagles will vary from one clan to another even amongst species.  Yes, they have dialects, colloquialisms and family accents too!
 
What does the bird do when he hears a particular sound made by another bird? Which ones does he translate to warnings? If a bird flies off after some friendly chatter, it may not be in reaction to anything you have done.  Often they have heard another bird or animal issue a sound.  Either their parent is calling them, or some other bird wants their help, or another species has issued a warning.  Unfamiliar sounds from inside the house, or an approaching vehicle, animal or person can also give them a fright or minimally cause them to move to safer place.  Safety is a bird's first and most primal instinct.

How drowsy is the bird?  Birds need regular naps during the day. Does he look like it's time for a short nap or trance?  Or has he just come out of one looking like the most dopey, insane creature you've ever seen? If the bird is on sentry duty keeping guard while the others are foraging for food or taking a nap, he or she may not have the time to socialise with you.  But as they become friendlier, they will return for a chat and will offer an explanation in their own way.

The key is to follow their sound and action. Often this means quickly putting down the work you were doing and running out to see what's happening. If you can't see what the ruckus is about, ask them. They'll get the idea that you're interested and start showing you more.

If you can make the time, start a journal and just keep daily notes on what you've observed and what you think is happening. You will find that your interpretations will change as you gain more knowledge of their actions.  By keeping a record of the activities, you'll recognise patterns in their behaviour and sometimes it can be weeks or months before you connect various scenarios and begin to see how the events in their lives emerge.

Soon you will be able to identify their habits, pleasures and fears. You will recognise their friends from the company they keep, notice their competitors and know from the warnings of the appearance of their foes.   You will notice the 'jobs' or roles that have been assigned to them within their group and watch their skill level develop as they grow.  Their responsibilities can vary from hour to hour, change with the seasons, especially when its time to nest and also with their stage in life.  

As you observe the patterns develop, grow and vary, you will find that you are able to understand a lot more about what they are telling you and you will be able to converse with them more successfully.

Regular readers of WingedHearts.Org will have noticed many conversations between the birds and us, one of my favourites is Talking Kookaburras Love 'The Big Eye'.  

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In the next part, we will look at Understanding the Bird's Actions, in more detail, as this is the basis for a meaningful communication.  
* * *
You can send your questions on any of these steps to editor@wingedhearts.org and I will do my best to answer them.




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The Future Eaters by Tim Flannery

Book Review  

by Ron House


Gondwana was the great southern supercontinent at the time of the dinosaurs, which slowly broke up to form Antarctica, Australia, New Zealand, Madagascar, India, and so on, the various pieces drifting ever so slowly (at the speed of your fingernails growing!) across the surface of the Earth. This book is the story of some of those pieces.

Flannery's basic thesis is that the Australian landmass (called Meganesia) and the New Zealand piece (called Tasmantis) have been leading humans astray for perhaps the last 60,000 years, ever since the first humans in the region, the Aboriginals, arrived in Australia.

Australia is the poorest landmass in the world, yet to humans it has deceptively appeared to be abundant, and so humans overuse its riches, eventually to the point of disaster. The masses of evidence Flannery presents makes a compelling case to us to think twice about mindlessly exploiting Australian natural resources. In essence, he believes that people arriving in these continents follow the same basic pattern through time: first, they arrive to a land that falsely seems to be overflowing with plenty; they gorge themselves on the resources until they are depleted, then collapse sets in, the people risk starvation or worse; but eventually, they find a new way to accommodate themselves to the harsh conditions and live in harmony with the country.

The only difference, he says, between Australian Aboriginals, New Zealand Maoris, and Whites, is that we are seeing them at different stages in this process. The Aborigines had gone through all the stages when Whites arrived, so we see them living an unchanging lifestyle that has come to some sort of 'bargain' with the land, allowing them to live sustainably from century to century. But earlier, unseen by history, they first arrived to a land full of megafauna such as the diprotodon, giant kangaroos, and so on. It must have looked like one huge banquet. But soon they wiped these species from the face of the Earth, and the land would no longer have supported the numbers of humans who must have appeared by then; famine would ensue, until the people learned how to live sustainably from the land and the wildlife that remained.

In New Zealand, the Maoris having arrived in historical memory to a land full of giant moa birds, numbers swelled, moas were killed indiscriminately, until the last one was killed in the memory of people alive when Whites arrived. No other animals existed capable of living off the land in the way the moas did, and starvation followed. The Maori war cry, the haka, was not designed as a showy set piece for the amusement of football crowds, it was part of the incessant war of all against all that was being conducted when Whites first arrived, as the people sought every crumb of an advantage over their neighbours in the struggle to live. If Whites had not arrived, presumably the Maoris would have reached an understanding as the Aboriginals had before them, and somehow, they would have come to live peacefully and sustainably with the land.

And we come to the Europeans. Infinite bounty seems to lie before us: land for growing crops, vast mineral wealth, and we have the technology to exploit it. How lucky we are! Or are we? Will we, in turn, find that the ancient continent has played us false? Will our cities run out of water, or food, or fuel, or whatever, and will we be condemned to repeat the cycle of population collapse, misery, and eventual understanding? This is Flannery's theme, and the insights he presents for us are critical for our future as not only Australasia, but the whole world, runs out of resources. I don't agree by any means with all of Flannery's recommendations, but I agree we all need to hear his case.

I shall finish with one seemingly minor point in his argument. Once upon a time in the 1950s and before, Australians lived in proximity to the creatures of the land. I myself knew a boy in my school class with a pet kangaroo. But nowadays, 'enlightened' laws have been passed preventing people from having native animal pets. This is quite apart from questions of whether it might be cruel to keep a certain animal in certain conditions; the entire idea is illegal. The consequence is that very few Australians today actually know the wildlife of the land. Gitie and I have been extraordinarily fortunate in meeting Maggie and being admitted into his family circle of Australian birds. But for a chance encounter with our two dogs when Maggie was a tiny starving chick, which must have depended on exactly when we went for our evening walk five minutes either way, it would never have happened for us. So out of a misplaced idea that humans should never 'interfere', the general population, however much they love the native animals, never understand them.

This is a deep and thought-provoking book, whose case we should all be familiar with, whether we end up agreeing with Flannery or not.

To check the book out on Amazon: click here

                                











About the Reviewer:
RH
 
Ron House is co-founder of WingedHearts.org, a strong believer in animal consciousness and the importance of treating them ethically with love and care. Ron lectures in computing at USQ and writes on ethics, philosophy and the Principle of Goodness



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New Site Spotlights @ WingedHearts.org:

You wouldn't want to step on one of these - see Grounded! for:  

Time For New Friends - at  Not Just A Bird... for:  
  Another juvi grows up? - in  Feathery Tales New additions at Birds I View:    
 Comment on current topics - check out the Blogs:
 
You can always view your favourites on: The Sticky Beak Winged Tips

Every season brings new activity and the stories are never the same, so keep an eye out for the new releases with announcements in the blogs.  For info on the photographic equipment we use and featured books/dvds visit:  Resources

Tell us your favourite stories and characters by posting comments in the blog or by sending an e-mail to me at: editor@wingedhearts.org


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News and Views from WBT

A Special Book:

 'Another Kind of Mind: A Talking Bird Master's English' by author Michael Dalton is written for bird lovers, animal lovers, general science readers, teachers, psychologists, individuals interested in human language used by nonhumans, and the people interested in animal communication. No knowledge of parrots is necessary to enjoy the remarkable trip using language into the mind of another creature. Arguments from recorded evidence ultimately lead readers to recognize that Arielle has a sense of humor and that she is a conscious being. She is the first nonhuman animal to reveal that she is conscious through the spoken word. The evolutionary implications might unnerve a few linguists.   www.ParrotSpeech.com/Another_Mind.html


Coming In The Next Issue:


We are very excited to be able to bring our readers a collection of articles and stories from around the world. The next issue features contributions from:  
  • New Book Releases by our favourite authors, Brian Taylor, Dawn Baumann Brunke
  • Micahel Dalton on Parrot Speech
  • Communicating with Wild Bird - Part 3 - Understanding the Bird's Actions
  • Award winning Australian Wildlife Artist Janet Flinn will share a special poem 


Book Promotions on 24 June (US) which is 25 June (Australia and NZ):

Look out for two emails, one on Joan Marie Whelan's 'Soul Discovery' and the other on 'Will Work For Fun -- 3 Simple Steps for Turning Any Hobby or Interest Into Cash' by Alan R. Bechtold.  WingedHearts.Org proudly joins many internationally renowned authors and experts to bring readers a fabulous range of bonus gifts.

Would you like to submit an article or your bird story?   We would love to hear these stories and share them with others.  Please drop us a line at: editor@wingedhearts.org

Invite Your Friends:  If you would like to inform your friends about WingedHearts.org and invite them to subscribe to the Wild Bird Talking E-zine click here.

Many Thanks To our Readers:  Many thanks to our friends and readers from around the world who have visited the site and sent us their comments. We are very grateful for your support, and interest.
Blogs - Comments: Share your ideas, opinions and bird friendships by adding comments to the blogs.  



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